This hexagram shows a fire that breaks out of the secret depths of the earth and, blazing up, illuminates and beautifies the mountain, the heavenly heights.
Grace—beauty of form—is necessary in any union if it is to be well ordered and pleasing rather than disordered and chaotic [in neoplatonism, the Heavens were identified with beauty, truth and grace, the metaphysics of beauty is that it inspires deep awe and reverence in the partaker by innate connection with the essential thing, the merging of one’s spirit with the sublime as its subject] .
GRACE has success.In small matters. It is favorable to undertake something.Grace brings success. However, it is not the essential or fundamental thing; it is only the ornament and must therefore be used sparingly and only in little things [likewise, grace moving through beauty is a rather delicate thing, it does not give in to vulgarity, like love it withdraws and disappears, likewise love between a strong woman and a strong man carries mountains and breaks the chains, in adornment it is subtle and light, as if young people that are enamored for the first time, in fierceness it is steel-clad and lion-like]. In the lower trigram of fire a yielding line comes between two strong lines and makes them beautiful, but the strong lines are the essential content and the weak line is the beautifying form. In the upper trigram of the mountain, the strong line takes the lead, so that here again the strong element must be regarded as the decisive factor. In nature we see in the sky the strong light of the sun; the life of the world depends on it [the star that shines upon us equally in other traditions is the ‘Eye of the Supreme Deity’]. But this strong, essential thing is changed and given pleasing variety by the moon and the stars. In human affairs, aesthetic form comes into being when traditions exist that, strong and abiding like mountains, are made pleasing by a lucid beauty. By contemplating the forms existing in the heavens we come to understand time and its changing demands. Through contemplation of the forms existing in human society it becomes possible to shape the world. [forms mutability, both that forms of ideas, narrations, social structures, arts and sciences, are as if clay to be worked from, if that is done in close mirroring to the demands or forms taking shape in heavens, astralistic configurations of change, then all is supported by the forces that have their rise and onset]
Fire at the foot of the mountain:The image of GRACE. Thus does the superior man proceed. When clearing up current affairs.But he dare not decide controversial issues in this way.The fire, whose light illuminates the mountain and makes it pleasing, does not shine far; in the same way, beautiful form suffices to brighten and to throw light upon matters of lesser moment, but important questions cannot be decided in this way [forcing one’s way through on all fronts brings disaster, attempting to solve all matters, running out of impetus, and collapse of social and personal enterprises into stagnation, chaos or decay]. They require greater earnestness.
Nine at the beginning means:He lends grace to his toes, leaves the carriage, and walks.A beginner in a subordinate place must take upon himself the labor of advancing. There might be an opportunity of surreptitiously easing the way—symbolized by the carriage—but a self-contained man scorns help gained in a dubious fashion [it would corrode his self-reliance and independence, and create falsehood that he could wear like a mask and undergo affliction of this self-imposed falsehood, losing all sense in the end]. He thinks it more graceful to go on foot than to drive in a carriage under false pretenses.
Six in the second place means:Lends grace to the beard on his chin.The beard is not an independent thing; it moves only with the chin. The image therefore means that form is to be considered only as a result and attribute of content. The beard is a superfluous ornament. To devote care to it for its own sake, without regard for the inner content of which it is an ornament, would bespeak a certain vanity. [attachment to an outer or inner image developed by others or oneself that is false and non-representative is such vanity, the way is to be genuinely honest and introspective, yet without attaching oneself to any such mirages of ideas of oneself, ultimately we cannot see each other from more perspectives that these of which we are capable, such mirages, self-images are the ‘ornaments’]
Nine in the third place means:Graceful and moist.Constant perseverance brings good fortune.
This represents a very charming life situation. One is under the spell of grace and the mellow mood induced by wine. This grace can adorn, but it can also swamp us. Hence the warning not to sink into convivial indolence but to remain constant in perseverance [we may lose earnestness and by lowering flight, the falcon might be caught and domesticated, it may lose its nature, then in forgetfulness what is lost fades away and no longer reminds us of the way that we underwent to arrive, we depart] Good fortune depends on this.
Six in the fourth place means:Grace or simplicity? A white horse comes as if on wings.He is not a robber,He will woo at the right time.An individual is in a situation in which doubts arise as to which is better—to pursue the grace of external brilliance, or to return to simplicity. The doubt itself implies the answer [when one is not confident, or trusts himself and in doubt, after assessing his strengths and skills, even when other pull him in area of influence, he should decline, and pursue the path of simplicity, he should strategically predict of what one is capable of and what implications might it have for the rest in the long run] Confirmation comes from the outside; it comes like a white winged horse. The white color indicates simplicity. At first it may be disappointing to renounce comforts that might have been obtained, yet one finds peace of mind in a true relationship with the friend who courts him. The winged horse is the symbol of the thoughts that transcend all limits of space and time [the way of the sage] .
Six in the fifth place means:Grace in hills and gardens.The roll of silk is meager and small.Humiliation, but in the end good fortune.A man withdraws from contact with people of the lowlands, who seek nothing but magnificence and luxury, into the solitude of the heights. There he finds an individual to look up to, whom he would like to have as a friend. But the gifts he has to offer are poor and few, so that he feels ashamed. However, it is not the material gifts that count, but sincerity of feeling, and so all goes well in the end.
Nine at the top means:Simple grace. No blame.Here at the highest stage of development all ornament is discarded. Form no longer conceals content but brings out its value to the full. Perfect grace consists not in exterior ornamentation of the substance, but in the simple fitness of its form.